-began in early 1960s with a group of artists in NEW YORK CITY
-also developed in Europe and moved in between Europe and U.S.
-international, interdisciplinary, and broad movement with artists working in sound, text, performance, and new media.
Dick higgins. george brecht. le mont young.allison knowles. george macunius
Flux Forms
1. flux kits or multiples- could unfold over time, still object based.
2.the event. both about immediate quality ofexperience- references new media technologies
concept of object as an object (self contained in space and time) is fundamental to all thinking about aesthetics
-developed with computer, video, and other new media
-internet make us reconsider the very paradigm of aesthetics
Defining fluxus modes with new media technologies
flux kit- database structure, non-hierarchal, unordered items, collection of items with every item having same significance
the event- algorithms, simle operations to help computer complete task
fluxus view of art
- making something special by exaggerating, patterning, juxtaposing, shaping transforming. making ordinary to something significant
-making room for other considerations of others perspectives, and common respect for difference
-valuing primary or secondary experiences, value while being made
-depersonalized
flux kit- offer sensory info for empowered experience that connects individual to greater social or environmental context
-items are offered to be touched and explored by viewer
-visceral meaning, touch and exploration creates meaning
- object experienced with all senses
fluxus event- originated in john cage's 1958-59 music class
-cage's idea was to accept watever sounds occured within a specific period of time. sounds determine music
sound is acting (as with traffic sounds) music is as if someone is talking, emotion, sound effects have no talking
-no silence so there is no pure music. sounds of environment become music
george brecht's event score
-invented event score
-convert time and chance
followed action painting (pollock)
event score performance- demeanor is that of a painter than that of an actor on stage
life media-spontaneous decisions, the relationship to the environment, and the physical parameters within which the work occurs
event scores involve simple actions, and objects from everyday life recontextualized as a performance
-texts that can be
- based on ordinary activities from daily life expressed in simple, concrete terms
written drawn event score
- box, directions to assemble parts inside
card describing what to do
two vehicle event start, stop